I’m not talking about stuff like O’Brien’s hollow rank pip, I’m talking about stuff like “Why make Chakotay a lt. commander rather than a full commander?”
It seems like there was at least some forethought put into who has what rank, but it’s not clear to me how much thought, nor how much meaning was supposed to be baked in to those decisions.
For example, Dr Crusher was a full commander from Day 1, matched only by Riker on the main cast. Was that supposed to signify the authority afforded to the CMO? Was it supposed to be blatant enough for the audience to “get” it?
One of the most prominent examples is Sisko starting his series as a commander. Again — was that supposed to signify that he was more junior, a younger officer?
Behind the scenes, I wonder if we can trace a waxing and waning military influence in the writers room over the years. I know Roddenberry served, and I think some of the early TNG writers did as well. But I feel like that became less common in later series? (But I don’t know for sure.)
I think it’s striking that rank is significantly downplayed on DSC, except for Burnham and potentially Saru.
It’s a testament to Mary Wiseman’s acting that the writers sought to give Tilly more screen time. But the way they did it made my eyes roll through the roof. I did not for a second consider it believable that an Ensign, only a couple (?) of years out of the Academy, would be skyrocketed through the hierarchy to become the Chief Operating Officer of the ship.
Tilly’s promotion was even more unbelievable than when Jed Bartlet made CJ Cregg his Chief of Staff, elevating her above her Toby Ziegler (whom she reported to) and Josh Lyman. I know why the writers did it - because Allison Janney was the best actor in a world-class ensemble, and they wanted to give her more to do. But it didn’t ring true to me (even though there is an argument to be made that all the West Wing characters are so hyper-competent that reporting lines are mere formalities).
Sure, you could argue Starfleet has a history of promoting promising youngsters unbelievably fast - like when they gave that cocky repeat offender fresh out of school command of the most modern ship in the fleet simply as a reward for saving the world. But even so.
This actually goes to a related point about DIS and how the writers treated the rank of its main character. Discovery was notable in that it was the first show where the lead actor was also not the most senior member of the crew. As David Gerrold pointed out in The World of Star Trek (IIRC), there’s a reason why the captain is the star of the show. Because in a crisis all decisions come back to that role. And the ability to make decisions is what makes for good characterisation (Hamlet notwithstanding). But if the command decisions, the decisions around which the plots and the drama pivot, are ultimately made by someone other than Michael Burnham, more senior than her and who can overrule her, what do you do then? Well, you make the Captain a baddie (like in season 1) or you find other ways of making the main character go against orders (which Burnham did repeatedly). Unfortunately that led to a backlash because the character, Mary Sue-like, was always proven to be correct whenever she went rogue.
I actually liked the fact that the lead character in DIS wasn’t the CO. But - like Tilly’s promotion - I just wish the writers had found a better way of exploring that dynamic. Having Burnham assume the traditional captain’s seat in season 4 was - in some ways - an admission of defeat, but an understandable one.
Lower Decks of course pulls it off, but as a comedy the stakes are generally lower, and the fact that the main characters often don’t know what’s going on, or aren’t in a position to decide how to shape events, is part of the gag.
That too for LD, especially in later seasons, the main characters are much more interesting than the average ensign and get a lot more to do. For example, Rutherford was previously injured in a ship racing accident and wrote an insane AI program, Boimler has a “dead” transporter clone in Section 31, Mariner is the captain’s daughter, and Tendi is from an Orion pirate family. Not only that but whatever they are doing that episode usually has some impact on the “main” plot, like how Rutherford ends up acting as a diplomat in one episode or how they attempt to steal the Cerritos.