No. I think the whole community has only had three deleted posts, two of which were spam. But I could have tried to encourage what members we have more by taking some initiative and sharing memes, starting discussions, things like that. I’ve seen other mods who helped grow their community in that way, but it’s not what I’m built for at the best of times.

I do thank you for the words of encouragement, though.

I guess they’re trying to insinuate that there’s a conflict of interest because he worked for a government agency and Wikileaks leaked documents pertaining to that government agency.

But, like… That would be like saying no judge could oversee the case of someone who attacked a courthouse because they work for the same legal system. That would be a real loophole in the law if by breaking the right ones, you just couldn’t be tried anymore.

THAT HITS HARD, RIGHT HERE, IN MY EMOTIONAL PROCESSING UNIT.

Most people don’t actually know what logic is. I would ask him to define logic to see where he’s coming from. Because most people either don’t have a definition or if they do it’s different than the one the person they’re talking to has. But to do that, you’ll also want a definition you could explain to someone else going into asking the question.

I wonder how they’ll choose who gets crushed to death at every screening.

You know… I was the last man to sleep with her.

• A frog, probably.

$400m for the rights alone. It doesn’t talk about cost of production.

Meaning they’re looking to make that rights cost back across the trilogy rather than from one film, but they’re constantly adding costs along the way.

Is it actually reducing harm to fight to the last Ukrainian though?

When Russia is trying to commit genocide against Ukraine? Yes.

One of the things that made me really like Sanders when he was first campaigning for president was when I looked up his record on American war and he had a voting record that tended to follow a quote from him that amounted to something like (paraphrasing), “War should be the last resort, but if a war is started, we need to see it fully see it through.”

It’s not like siding with Ukraine and getting into that conflict is supporting warfare. It’s seeking to prevent warmongers from profiting off a senseless war. The idea that abandoning Ukraine to just be invaded and allowing Russia to get whatever they want by force is an, “Anti-war,” stance is fucking absurd.

Honestly, this edit of the comic comes off as the cat being annoyed about not being fed after the owner either died or had an emergency they never returned from.

Twenty tracks? You whippershnappers don’t know how good you got it! When I was growing up, we only had eight!

It’s weird to me that he’s lumping all comic book movies together and acting like they’re the problem. We keep having trash movies churned out by studios because they make money. That’s been true since at least the nineteen-forties if not earlier. Hell, I’m really just talking about the ones where enough of them still survive that you can go find them. Earlier, in the silent era, yeah, you had trash get made quickly and churned out so that people would pay a dime to watch it. I don’t get how a single genre is supposed to be the culmination that’s ruining cinema.

But, here’s the thing. Have movies changed over the years? Absolutely. Scorcesie’s movies have changed over the years! His style has changed, his vision has changed. What sells tickets has changed. How studios are producing films based on what they think will make them money has changed. It’s been discussed before that the fall of video rentals and the rise of streaming has changed what kinds of movies studios are willing to put their money behind and how they’re less likely to take a risk on something than they used to be. That’s a problem. That’s a big problem because it’s reduced the number of small-budget and medium-budget studio films. None of that can be blamed on comic book adaptations.

And there’s nothing inherently wrong with a comic book adaptation. Marvel movies are overly formulaic and especially since Disney bought them overly safe. Even in the ones I like, I can just feel that Disney touch that makes me go, “Ew,” sometimes. DC’s movies have been mismanaged with an unfit vision helming its original run from the start. So the big series, yes, I’ll admit, they’re kind of shit cinema. I still enjoy some of them, but they’re kind of shit cinema. There are plenty of shit crime movies and thrillers and other things like that, but I’m not going to start yelling about how they’re killing cinema and we have to fight against them. Why do comic book adaptations get singled out as artless trash when there’s a constant stream of hollow feel-good romance films that get churned out every year? Do those formulaic vacuous sap-fests (some of which I love and will watch whenever I need a good cry, I’m really not knocking them) really merit a pass yet for some reason comic books require this war be waged by filmmakers against them? I really don’t see how they’re the problem.

And you can come in and say things like, “He’s just stirring the pot to promote his film,” but I don’t think so. Scorsese has had a lot to say about modern filmmaking even when he doesn’t have a project on the table. He’s talked about his feelings on modern film culture, comic book adaptations, using the word content to describe any form of media, and more. I really don’t think he’s doing it to bring attention to any project so much as he just really feels very strongly that movies have changed and change is bad? Is that really what it is? Because some of the stuff he sees as a problem, yeah, I agree, it’s an issue. But other stuff like this, even if there is a problem, your aim at what the problem really is is just completely off.

I don’t really know how you can threaten someone when you need them more than they need you.

If you leave town, where are you going to go? The city doesn’t need you. If you’re not making what you want/need here, go ahead, leave, the city won’t be hurt by it. You will, though. Because you’ll have to pack up your business, set it up somewhere else, and hope that they do the things you want them to. It’ll be expensive for you, won’t mean a thing to the city.

So how is it a threat?

So did I. Loved the movie as a kid. I haven’t actually had the nerve to revisit it because I have no idea what I’ll think of it going back to it today.

I always enjoyed the US Godzilla films

Always?

Like… Always?

USAers or United Statesians

If Chicken can be a language, that can be a language!

And I don’t mean the actually useful programming language. I mean the esolang one where the only valid character is Chicken.

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I used to consider myself a centrist. But in my not-all-too-extensive lifetime, I’ve seen some of my views go from being considered centrist to being considered leftist to being considered radical leftist without changing. At some point, I just decided to say fuck it, you want to label me a leftist nutjob, I’ll roll with it.

Center is relative. And in the US, there’s been a documented and deliberate effort from conservatives to push the country’s political ideology further and further to the right for the past a little over fifty years, it started right after Nixon lost to Kennedy but really kicked into high gear during Nixon’s first successful presidential campaign. So being a centrist used to be a reasonable position to hold. But it shifted. It moved. It was moved to the point where being a centrist means holding the expert and the kook in equal regard. If you really want to be a centrist between ideologies, between pure socialism and pure capitalism, between authoritarian and libertarian, between all the different political, social, economic and other ideologies, we don’t have that. We’re so far conservative economically, politically, and in most other ways that our “left-wing” party is right-of-center.

Not just young people. I’ve seen this kind of behavior in surprisingly old people such as Gen X and even Baby Boomers, but I’ve seen it in a LOT of millennials, the youngest of whom are now in their early thirties and the oldest are in their forties.